Andreas Fontana on ‘Azor’: ‘The movie is about power’

The director says that communication can be utilized to point out power – who speaks and who’s silent is an indication of stability.

Azor Yavan (Fabrizio Rongion), a personal banker, arrives in a close-knit movie with a terrifying sophistication in Buenos Aires along with his spouse Ince (Stephanie Clay). It’s within the mid-Eighties and army dictatorship; Time of unsettled attachment. Yavan ought to discover a clue to his mysteriously lacking colleague Rene Keys and negotiate a approach out of this cauldron of cut-throat suspicion, described in varied methods as a captivating in addition to unreliable individual.

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The names are vital for director Andres Fontana (39), who is bound to make his debut Azor. “The title is a small factor, nevertheless it defines your historical past,” the Swiss director stated in a video name from Geneva. “It is like a historic or social code. Enjoying with him was vital to me. So Keys is the important thing to the movie however there’s additionally a reference to Colonel Kurtz in Joseph Conrad’s movie. Coronary heart of Darkness

Echoes of Conrad’s 1899 novel and Francis Ford Coppola. Apocalypse now In (1979) Azor. “The construction of the novel, The Journey of Darkness, makes it straightforward to think about and adapt to the movie.”

Still from 'Azor'

Nonetheless from ‘Azor’

Face the issue

Fontana, nonetheless, selected to not finish Azor Or with a book-like confrontation Apocalypse now. “I didn’t wish to disappoint the viewers. His creativeness will all the time be stronger than my potential to point out. I am certain the keys you envision are significantly better than I can present. That’s why I didn’t wish to finish the movie with a confrontation between Yavan and Keys. The tip just isn’t about Keys however about Yavan and his darkness.

The explanation for plunging into the closed world of personal banking was that Fontana wished to make a movie about folks whose work is secret. “I discovered the mindset of the bankers, their mind-set, their instruments and methods attention-grabbing. My grandfather was a personal banker. He was very smart and I knew nothing about his work. After his demise, I grew to become excited by his world.

In the steel of Fabrizio Rongion 'Azor'

Within the metal of Fabrizio Rongion ‘Azor’

Personal language

The importance of the title, Fontana says, comes from the argument utilized by non-public bankers. “It means to be quiet, or to watch out what you say. I discover the apply of trying to find phrases to explain sure emotions or behaviors attention-grabbing. Closed group language reveals issues about folks and defines them.

Silence is the primary character Azor. “I am a minimalist and I am not excited by utilizing results. The movie is about energy. Communication can be utilized to point out power. When 4 persons are in a room, there could also be one which catches everybody’s consideration as a result of they’re speaking loudly. Others could also be quiet as a result of they wish to be silent or as a result of the opposite individual is taking over an excessive amount of house. Speech was my entry into this query of energy. Whereas I am unable to think about how a dictator thinks, I can perceive what is going on when somebody is speaking so much and somebody is quiet as a result of he cannot converse.

The sound of silence

Whereas in silence Azor Surprising, the film additionally has a juicy sound. “My buddy, Paul Corlett, gave the music.” After he completed capturing, Fontana realized with all of the movie noir references, he would wish a rating to match the temper. “I referred to as Paul and requested him for one thing he hadn’t used. He despatched me a really attention-grabbing job. The movie manages to entertain in addition to inform. I wished to create a way of distance. ”

The director frolicked in Buenos Aires after receiving an MA in comparative literature from the College of Geneva, coaching as a manufacturing assistant. He says with a smile that this analysis was neither straightforward nor tough, nevertheless it took a very long time. “I’m simply pleased to be free. A part of my curiosity in making motion pictures is analysis, turning into a detective and doing analysis that many individuals should not excited by. In case you are researching one thing that everybody is , you might be certain to see this matter identical to everybody else. “

A static one from 'Azor'

A static one from ‘Azor’

Time and place

Azor In response to Fonta, it was set in Buenos Aires in 1980 as a result of it was a tough time in Argentine historical past. “In 1980, dictatorships started to focus on not solely political opposition, but additionally the wealthy and highly effective. All of a sudden everybody in Argentina was a possible goal for repression, kidnapping and violence.

Fontana says ensuring the movie just isn’t a museum piece was a problem to shoot a interval piece. “Whereas it was vital to be correct with that interval, it was additionally vital to be a little bit anachronistic as a result of what occurred in Argentina in 1980 can occur in any a part of the world at present.”

Speaking concerning the casting, Fontana says that every one the Argentines within the movie had been non-professional actors. “They got here from totally different backgrounds – legal professionals, financiers and bakers, they got here from a movie-like surroundings. French components had been forged with skilled artists. Fabrizio Rongion, who performs the younger man, just isn’t well-known, neither is Stephanie Clay, who performs his spouse Inez. They’re great artists. ”

Azor At the moment streaming on MUBI.


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