Former WWE Star Scarlett Bordeaux Details When They Knew They’d Be Stepping Away

Former WWE Star Scarlett Bordeaux Reveals Exact Moment She Knew WWE Exit Was Inevitable Amid Contract Drama

In the high-stakes world of professional wrestling, where spotlights burn bright and contracts hang by a thread, Scarlett Bordeaux’s candid confession hits like a steel chair shot to the gut. The former WWE valet and ring announcer, known for her sultry persona and unshakeable loyalty to husband Karrion Kross, has finally pulled back the curtain on the precise instant she sensed their WWE chapter was slamming shut.

Fans of WWE departures, Scarlett Bordeaux WWE exit, Karrion Kross contract drama, and wrestling contract negotiations have been buzzing since Bordeaux’s bombshell interview this week, as the couple dives deep into the frustrations that fueled their 2025 departure. Speaking on the “Insight with Chris Van Vliet” podcast, Bordeaux detailed how a bizarre phone call from WWE brass served as the final straw in a saga marked by creative sidelining and undervalued talent.

Bordeaux, whose real name is Elizabeth Chihaia, first captured WWE hearts back in 2014 as one of Adam Rose’s enigmatic Rosebuds, a role that saw her pop up in colorful, chaotic segments. By 2016, she stepped into the ring for her official in-ring debut on Raw, squaring off against powerhouse Nia Jax in a match that showcased her grit despite the loss. But it was her 2020 NXT arrival as Karrion Kross’s enigmatic manager that truly ignited her star power. The duo dominated early, with Bordeaux’s hypnotic promos and signature hourglass taunts amplifying Kross’s doomsday vibe during his NXT Championship reigns at TakeOver XXX and Stand & Deliver.

Their main roster call-up in 2021 promised glory, but reality delivered roadblocks. Drafted to Raw in 2024 alongside The Final Testament stable—featuring AOP and Paul Ellering—the group clashed with The Wyatt Sicks in gritty mixed-tag bouts on live events. Yet, behind the scenes, cracks formed. The stable dissolved in February 2025 after AOP and Ellering’s releases left Kross and Bordeaux as the lone survivors. Bordeaux later revealed she endured a three-month TV blackout, with producers repeatedly excluding her from Kross’s segments despite her clearance to compete. “Karrion would ask every week, ‘Where’s Scarlett?'” she recounted. “They just ignored it.”

The tipping point arrived in early August 2025, just as Kross’s contract ticked toward expiration on August 10. Bordeaux described a surreal call from WWE talent relations the day after Kross’s negotiations soured. “They rang me up and said, ‘I’m sure you know what’s going on with Kevin [Kross’s real name],’ she shared. “I replied, ‘Yeah, but what about my deal?’ It felt like they were dancing around it, treating me like an afterthought.” This moment crystallized her fears: despite her contributions—managing through viral feuds and even dabbling in modeling gigs that boosted WWE’s cross-media appeal—WWE’s approach screamed undervaluation.

Veteran wrestlers stepped up in her corner, underscoring the locker room’s divide. AJ Styles, a 15-time world champion and one of WWE’s most respected voices, allegedly lobbied producers to include Bordeaux in a key segment alongside Kross. “AJ fought for us tooth and nail,” she said. The Miz echoed that support, but even their advocacy couldn’t pierce the bureaucratic haze. Styles, fresh off his own WWE Hall of Fame trajectory, has long championed underutilized talent; his intervention highlights a broader mentorship culture in the industry, where icons like him bridge gaps for rising stars.

Public reactions have poured in like a Royal Rumble elimination pile-on. On X (formerly Twitter), #WeWantScarlett trended briefly after her August 11 departure post, amassing over 50,000 engagements. Fans lamented the loss of her “Smokeshow” charisma—the nickname she now flaunts on the indies—while praising her vulnerability. Wrestling journalist Dave Meltzer of Wrestling Observer Newsletter called it “a classic case of WWE’s creative whiplash,” noting in his latest column that Bordeaux’s exit echoes past missteps with talents like Zelina Vega. Indie promoters, meanwhile, are lining up: The duo’s first post-WWE gig hit at The Big Event EXS on August 14, drawing sellout crowds hungry for unfiltered Kross-Bordeaux magic. “It’s liberating,” Bordeaux posted. “No scripts holding us back—just pure artistry.”

For U.S. wrestling enthusiasts, this story resonates beyond the squared circle, tying into sports entertainment’s economic pulse. WWE, under TKO Group Holdings, generates billions annually—$1.3 billion in media rights alone for 2025—yet departures like this spotlight labor tensions in a post-pandemic industry. With Netflix’s $5 billion Raw deal kicking off in 2025, fans worry about diluted rosters impacting live event turnout, which supports 200,000+ U.S. jobs in arenas and hospitality. Lifestyle-wise, Bordeaux’s pivot to indies and conventions (she’s touring for their joint book) empowers wrestlers as entrepreneurs, inspiring a new wave of creators in states like New York and Texas, where indie scenes thrive. Politically neutral but culturally charged, it underscores gender equity pushes; Bordeaux blasted WWE’s “misogynistic” undertones in talks, aligning with #MeTooMeWWE movements that have reshaped backstage dynamics since 2021.

User intent here leans toward closure and curiosity—readers searching Scarlett Bordeaux WWE exit seek not just facts, but the human toll of chasing dreams in a cutthroat arena. Management-wise, WWE’s handling raises eyebrows: rescinding offers mid-negotiation, as Kross detailed, erodes trust and fuels free agency speculation. Experts like former WWE exec Jim Ross predict a “talent exodus” if undervaluation persists, potentially shifting power to competitors like AEW.

As Bordeaux eyes indie bookings worldwide, her story signals a renaissance for sidelined stars. With Kross by her side, they’re scripting their own legacy—one unfiltered promo at a time—hinting at possible returns or full indie dominance. The wrestling world watches closely, wondering if this exit marks the end or just the intermission.

By Sam Michael

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