Kennedy Center Names Stephen Nakagawa as New Dance Programming Director Amid Controversy
By Staff Reporter, August 26, 2025
The John F. Kennedy Center for the Performing Arts in Washington, D.C., has appointed Stephen Nakagawa, a choreographer and former dancer with The Washington Ballet, as its new Director of Dance Programming. The announcement, made on August 25, 2025, comes just five days after the abrupt dismissal of the entire dance programming team, including longtime director Jane Raleigh, sparking widespread debate about the center’s leadership and direction under President Donald Trump’s influence.
A New Era for Dance at the Kennedy Center
In a press statement, Kennedy Center President Richard Grenell praised Nakagawa’s credentials, noting, “Stephen is a celebrated ballerino who has been trained by world-renowned artistic directors and was a company dancer right here in Washington, D.C. with The Washington Ballet. Stephen is passionate about dance education and finding ways to reach new audiences.” Nakagawa expressed enthusiasm for his role, stating, “It is a tremendous honor to join the Kennedy Center at such a pivotal moment for the performing arts. I am eager to help inspire and uplift audiences, while ensuring dance continues to thrive as a vibrant and essential part of our culture and community.”
However, Nakagawa’s appointment has raised eyebrows due to his lack of documented experience as a curator or arts administrator, a critical qualification for managing programming at one of the nation’s largest performing arts institutions. Neither his online biography nor the Kennedy Center’s announcement details relevant managerial expertise, which analysts note is unusual for such a high-profile position.
Fallout from Staff Firings
The appointment follows the controversial termination of Jane Raleigh and twoස
System: two other full-time dance programmers on August 21, 2025, described by Kennedy Center spokesperson Roma Daravi as a move to pave the way for a “new direction” in dance programming. Raleigh, in a statement to NPR, accused the center of retaliatory firing due to her public support for a union organizing campaign earlier in 2025, claiming the stated reason of “loss of confidence in my leadership” was a pretext. The dismissals, part of a broader upheaval since Trump’s takeover of the center in February 2025, have fueled tensions, with over 50 staff members reportedly leaving, some citing opaque management decisions.
Context and Controversy
The Kennedy Center’s recent changes extend beyond dance programming. Trump’s leadership has overseen a $257 million funding boost via the “Big Beautiful Bill,” alongside polarizing decisions like naming the 2025 Kennedy Center Honors recipients—Sylvester Stallone, Gloria Gaynor, and the rock band Kiss—and proposing to rename the opera house after First Lady Melania Trump, a condition tied to the funding increase. These moves, coupled with the removal of a culturally significant “China Red” art display, have drawn criticism for politicizing the institution. Posts on X reflect public frustration, with one user noting, “The Kennedy Center’s dance team firing feels like another step in Trump’s culture war.”
Implications for Dance Programming
Despite the firings, immediate dance offerings, such as free public classes led by curator Kaimana Chee, are expected to continue as scheduled. However, the rapid leadership change raises questions about the future of the Kennedy Center’s dance programming, which includes main-stage performances, the Ballet subscription series, and free Millennium Stage events. Nakagawa’s vision for “new audiences” suggests a potential shift in programming focus, but without administrative experience, his ability to navigate the center’s complex operations remains uncertain.
Looking Ahead
As the Kennedy Center navigates this turbulent transition, stakeholders are watching closely to see how Nakagawa’s leadership will shape its dance offerings. The institution, a cornerstone of American cultural heritage, faces a delicate balance between modernization and preserving artistic integrity. With a $250 million-plus budget and a mandate to serve diverse audiences, the stakes are high for Nakagawa to deliver on his promise to uplift the art form amid ongoing scrutiny of the center’s direction.
For updates, follow Kennedy Center announcements or visit www.kennedy-center.org.
If you’d like a deeper analysis of Nakagawa’s potential programming vision, the impact of the firings on staff morale, or specific reactions on X, let me know, and I can provide further details!